Research
“A World Not Yet Here: Connie Arismendi’s Conceptual Monoprints”
in EVERYONE: Monotypes and Etchings by Connie Arismendi (Austin: Flatbed Center for Contemporary Printmaking, 2022), 12-14.
“All My Ancestors: The Spiritual in Afro-Latinx Art”
in All My Ancestors: The Spiritual in Afro-Latinx Art, exhibition catalogue (Philadelphia: Brandywine Workshop and Archives, 2022), 25-54.
“The Island within the Island: Remapping Dominican York”
Archives of American Art Journal 57.2 (Fall 2018): 4-27.
“Printed Proof: The Cultural Politics of Ricardo and Harriett Romo’s Print Collection”
in A Library for the Americas: The Nettie Lee Benson Latin American Collection, edited by Julianne Gilland and José Montelongo (Austin: University of Texas Press, 2018), 145-155.
“The Island as a Bridge: Reconceptualizing the Trienal Poli/gráfica de San Juan”
Dossier edited by Andrea Giunta and George Flaherty, Caiana: Revista Académica de Investigación en Arte y Cultural Visual 11 (Fall 2017). ISSN 2313-9242. Co-authored with María del Mar González.
“Immigrant Invisibility and the Post-9/11 Border in Sandra Fernandez's Coming of Age”
alter/nativas latin american cultural studies journal New Approaches to Transnational Migration and Cultural Change 7 (Fall 2017). ISSN 2168-8451
“No es un crimen: Posters, Political Prisoners, and the Mission Counterpublics”
Aztlán: A Journal of Chicano Studies 42.1 (Spring 2017): 239-256.
“Retorno: Salvadoran Repatriation and the Landscape of Memory: Interview with Mark Menjivar,”
Diálogo, guest edited by Olga Herrera and María Gatzambide, 20.1 (Spring 2017): 181-6.
“A Burning Desire: Los Angeles as Femme Fatale”
Hemisphere: Visual Cultures of the Americas 5 (Albuquerque: University of New Mexico, 2012), 77-92.
"The People of Paper/La Gente de Papel,"
Aztlán: A Journal of Chicano Studies 42.1 (Spring 2017): 128-138. Introduction to dossier co-authored with Robb Hernández.
"The Other Side of Fear: Alma Leiva's Prison Cells,"
in Counter-Archives to the Narco-City, exhibition catalogue (2015)